By Elise Lusk

 

Theres frost on the window he’s leaning against. 

I watch the moonlight weave through the cracks in the trees- 

how the light traces the outline of his back 

but leaves him black and blank. 

 

I ask the outline for a paintbrush  

to fill in the missing details of his ebony silhouette. 

 

I want to dot a blend of Cadmium yellow and Burnt Sienna down his shoulders 

and wake the forest freckles that shake like trees in the breeze when he laughs. 

want to carve out his left shoulder’s scar using a pallet knife 

and watch its origin story spill like watercolor from his lips. 

I want to use a flat filbert to block in the shapes of the insulin pump on his hip  

and sgraffito scratch away the dried paint until only raw canvas of him remains. 

 

He walks towards me and smirks: 

You don’t know how to paint. 

He takes my dress in his hands, pulls it over my head, and shutthe blinds. 

 

He doesn’t want me to see him 

 

I sit up, face the walland push him away 

when he reaches for my hand. 

He doesn’t know  

I was accepted into art school. 

He doesn’t know 

I can’t sleep with the blinds closed. 

 

But my dress is already on the floor  

and the frost omy window 

is starting to 

melt. 

 

I close my eyes and let the outline find me. 

Maybe he’ll let me paint him  

Tomorrow. 

 

Elise Lusk is a English Creative Writing major set to graduate in May, a feat made possible only by Old Pine’s coffee, social media timers, and her dog, Cowboy’s unconditional support. In the fall, she’s trading the Ozarks for the Atlantic and moving to Charleston, SC where she will join the College of Charleston’s Creative Writing MFA Fiction program. Elise would like to dedicate this publication to Taylor Swift for making it cool to write about the boys who hurt her feelings.